labyrinth$42916$ - définition. Qu'est-ce que labyrinth$42916$
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Qu'est-ce (qui) est labyrinth$42916$ - définition

USUALLY A SYSTEM OF NARROW CORRIDORS DESIGNED TO CONFUSE THOSE WHO ENTER AND MAKE FINDING A CORRECT PATH DIFFICULT
Labrynth; Labryinths; Labyrinthine; Cretan Labyrinth; Egyptian Labyrinth; Prayer labyrinth; Meditation labyrinth; Christian labyrinth; Prayer Labyrinth; The labyrinth; The Labyrinth; Labyrinth walk; Davide Tonato; Cretan labyrinth; Labyrinths
  • "Classical" or "Cretan" design, well-known in antiquity.
  • Theseus in the Minotaur's labyrinth, by [[Edward Burne-Jones]], 1861
  • A [[Roman mosaic]] from [[Zeugma, Commagene]] (now in the [[Zeugma Mosaic Museum]]) depicting [[Daedalus]], his son [[Icarus]], Queen [[Pasiphaë]], and two of her female attendants
  • Carving showing the warrior [[Abhimanyu]] entering the ''chakravyuha'' – [[Hoysaleswara temple]], [[Halebidu]], India
  • [[Chartres Cathedral]], about 1750, Jean Baptiste Rigaud
  • Silver coin from [[Knossos]] displaying the 7-course "Classical" design to represent the Labyrinth, 400 BC
  • Labyrinth on floor of [[Grace Cathedral, San Francisco]].
  • Walking the labyrinth at Chartres Cathedral
  • The four-axis  pattern as executed in [[Chartres Cathedral]] (early 1200s)

Labyrinth (Miró, Joan)         
SCULPTURE SERIES BY JOAN MIRÓ
Labyrinth (Miro, Joan)
Labyrinth is the set of sculptures and ceramics created by the Catalan artist Joan Miró for Marguerite Aimé Maeght, between 1961 and 1981. It is currently located at the Maeght Foundation in Saint Paul de Vence, France.
Bony labyrinth         
BONY STRUCTURE OF THE INNER EAR
Labyrinth (inner ear); Osseous labyrinth; Labyrinthus osseus; Otic capsule; Endosseous labyrinth
The bony labyrinth (also osseous labyrinth or otic capsule) is the rigid, bony outer wall of the inner ear in the temporal bone. It consists of three parts: the vestibule, semicircular canals, and cochlea.
Ethmoidal labyrinth         
CONSISTS OF A NUMBER OF THIN-WALLED CELLULAR CAVITIES
Ethmoid labyrinth; Labyrinthus ethmoidalis; Labyrinth of ethmoid bone; Labyrinth of the ethmoid bone; Labyrinth of the ethmoid bones; Labyrinth of ethmoid bones; Labyrinth of ethmoid
The ethmoidal labyrinth or lateral mass of the ethmoid bone consists of a number of thin-walled cellular cavities, the ethmoid air cells, arranged in three groups, anterior, middle, and posterior, and interposed between two vertical plates of bone; the lateral plate forms part of the orbit, the medial plate forms part of the nasal cavity. In the disarticulated bone many of these cells are opened into, but when the bones are articulated, they are closed in at every part, except where they open into the nasal cavity.

Wikipédia

Labyrinth

In Greek mythology, the Labyrinth (Ancient Greek: Λαβύρινθος, romanized: Labúrinthos) was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it.

Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching mazes were reintroduced only when hedge mazes became popular during the Renaissance.

In English, the term labyrinth is generally synonymous with maze. As a result of the long history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars and enthusiasts observe a distinction between the two. In this specialized usage maze refers to a complex branching multicursal puzzle with choices of path and direction, while a unicursal labyrinth has only a single path to the center. A labyrinth in this sense has an unambiguous route to the center and back and presents no navigational challenge.

Unicursal labyrinths appeared as designs on pottery or basketry, as body art, and in etchings on walls of caves or churches. The Romans created many primarily decorative unicursal designs on walls and floors in tile or mosaic. Many labyrinths set in floors or on the ground are large enough that the path can be walked. Unicursal patterns have been used historically both in group ritual and for private meditation, and are increasingly found for therapeutic use in hospitals and hospices.